Inspiración

Patricio Grande began his guitar studies at the age of 7 at the Music Academy of Sint-Jans-Molenbeek. At 18, he delved into flamenco guitar under Antonio Segura’s guidance. By 19, he was accepted into the Royal Conservatory of Mons, studying classical guitar with the renowned Brazilian maestro Odaïr Assad, and earned his master’s degree in 2009.
During his studies, Patricio had the opportunity to attend masterclasses with distinguished classical and flamenco guitarists, such as Gerardo Nuñez, Manolo Franco, Scott Tennant, Camarón de Pitita, and Paco Fernandez.

In his professional career, Patricio has shared the stage with numerous renowned artists from Belgium, France, and Spain. Some of these notable collaborations include David Bastidas, Javi Gomez, Carlos Piñana, Farruquito, Juan Paredes, Cecile Evrot, Yurentz Bermudez, David Perez, Maria Marin, Cristina Hall, Inès Rubio, Lorena Oliva, Isaac Barbero, Antonio Paz, Jose Ligero, Esteban Murillo, Marisol Valderrama, Antonio Martinez, Alex Otero, Federico Ordoñez, Sofia Yero, Torre de Montijo, and Elena La Grulla.
Currently, Patricio is an active guitar teacher at the Conservatory of Brussels and performs in various projects. His primary focus is on his own flamenco projects and numerous tablao performances.

Cécile Evrot, a trained pianist, discovered flamenco at the age of fifteen, which was a true revelation for her. She instinctively turned to singing, initially studying on her own for several years. Later, she went to Spain to study under José Mendez (Jerez) and Juan José Amador (Seville), gaining experience in accompanying dance with artists like Carmen Ledesma and Pilar Montoya “La Faraona.” In 2014, she met the legendary cantaor Juan Peña El Lebrijano in Seville, who became her mentor and greatly influenced her singing approach.
An artist of many talents—also an actress and songwriter—Cécile collaborates with prominent artists from the French and European flamenco scene. She teaches at various associations, offering a sensitive and open approach to cante, with joy and respect for the fundamental values of flamenco.

Lidia Rodríguez González, born in Paradas (Seville) in 1997, is an outstanding flamenco singer with a comprehensive and diverse training. She began her studies at the age of 13 and has been professionally dedicated to flamenco since she was 18. She studied at the Cristina Heeren Foundation, the “Cristóbal de Morales” Conservatory in Seville, and is currently pursuing an Advanced Degree in Flamenco Singing at the “Rafael Orozco” Conservatory in Cordoba. She also holds a Bachelor’s degree in Primary Education with a focus on Music from the University of Seville.

In her artistic career, she has participated in numerous flamenco events and festivals, such as the Circuito Andaluz de Peñas Flamencas, the Bienal de Flamenco en la Provincia de la Diputación de Sevilla, and the Festival del Mostachón Joven de Utrera, among others. She has received several awards, including the First Prize “Manuel Mairena” in the national Antonio Mairena competition, the First Special Prize for Colombiana in the National Competition of Cantes de Ida y Vuelta in Marchena, and the Special Youth Prize in the Soleá de Alcalá Competition.

Her academic background includes a Professional Degree in Flamenco Singing from the “Cristóbal de Morales” Conservatory in Seville, a Bachelor’s Degree in Primary Education with a specialization in Music from the University of Seville, and she is currently pursuing an Advanced Degree in Flamenco Singing at the “Rafael Orozco” Conservatory in Cordoba. She also obtained a Master’s degree in Flamencology from ESMUC. With a solid education and an outstanding artistic career, Lidia Rodríguez is a prominent figure in the flamenco world.
She is currently the principal flamenco singer of the Orquesta Sinfonica Flamenca de España.

Léa Llinares, born in France, is a distinguished flamenco dancer known for her remarkable career and contributions to the art form. At 18, after years of classical and Spanish dance training, she discovered flamenco through schools in Toulouse. This encounter led her to Andalusia, where she immersed herself in the flamenco culture. In 2011, Léa moved to Seville to deepen her studies at the Fundación de Arte Flamenco Cristina Heeren, where she trained under masters such as Ana Morales, Javier Baron, El Choro, and especially Milagros Mengibar. In 2012, she received a scholarship from the Fundación Cristina Heeren, further enhancing her practice and technique.

During this time, she gained stage experience with regular performances in tablaos. In 2014, she stood out as a solo dancer at the festival “Passe ton Bach d’abord.” She created her first solo show, “No Me Ha Dejado,” with musicians Kiko Ruiz, Alberto Garcia, and Juan Manuel Cortes. Her presence was also noted as a guest artist for the company “Retorno Flamenco” with the show “Cruzando el Puente” during the Festival d’Arte Flamenco de Mont de Marsan in 2015. She also collaborated with the Bordeaux group Nicolas Saez Sextet for various performances, including “De Allí Paca,” “En mi sitio,” and “Encuentro” in 2024.

In 2016, Léa shone in the show “VivenciAs” during the Rencontres Flamenco et Andaloues d’Albi. She also worked with the Vicente Pradal company for the shows “Del Flamenco a Lorca” and “Medianoche,” and performed solo at the Festival Arte Flamenco de Mont de Marsan. The following year, she was a finalist in the “Talento de Baile 2017” competition, organized by the Fundación Cristina Heeren in collaboration with the Instituto Andaluz del Flamenco at the Sala Compañia de Jerez. In 2017, she created the show “Desvelo.”

In August 2019, Léa was invited to the prestigious Festival de Baalbeck in Lebanon, where she shared the stage with renowned artists such as Omar Bashir, Jahida Wehbe, and Melchior Campos. In 2020, she explored new possibilities by combining flamenco with electronic music alongside multi-instrumentalist Alex Carrasco, resulting in the creation of “Opalo Project” in 2021.

Léa Llinares continues to enrich the world of flamenco with her innovative creations and captivating performances, establishing herself as a prominent figure on the contemporary flamenco scene.

Nina Pérez took her first dance steps at the age of 4 in the sunny south of Spain, learning Sevillanas with her cousins. Growing up in the flamenco world of her parents, Ana Ramón and Antonio Pérez Martin, she discovered her own talents. At 17, Nina won the First Prize at the “International Flamenco Competition” in Antwerp. To perfect her skills, she moved to Seville in 2007, studying flamenco at “Academia Manuel Betanzos” and “Escuela Ados de Angel Atienza” with guest teachers like Mercedes Ruiz, Belen Maya, and Rafael Campallo.

She has collaborated with renowned Spanish artists, including Antonio Molina “El Choro,” Miguel Angel Heredia, and Gabriel de la Tomasa. During the prestigious “Festival de Flamenco” in Jerez, Nina attended a masterclass with choreographer Javier La Torre and had the opportunity to perform on stage at the 2010 Jerez Festival.
Nina Pérez is now known as an elegant, feminine dancer with a personal interpretation and presence.

Her dance style combines the grace of the Sevillian school with the playful rhythm of Jerez. She has also created many beautiful choreographies for various international projects.
Her artistic contributions include tv programs such as Vlaanderen Boven, Afrit 9, Man Bijt Hond, Villa Vanthilt and Masterchef.

Ramón León Matías, born in Antwerp to Andalusian parents from Cádiz and living in Roeselare since 2004, has been passionate about flamenco since the age of eight. He seized every percussion opportunity available: local workshops in Jerez de la Frontera, Sanlúcar de Barrameda with Gerardo Núñez, music seminars in Madrid at Amor de Dios, Barcelona at Taller de Músics, Granada, and Seville, and lessons with Cepillo, Salvador Matías, Bartolo de Cádiz, along with participation in various flamenco festivals and gypsy celebrations in Spain.
His innate sense of rhythm is widely recognized, and his passion has driven him to deeply explore the various ‘palos’ (styles) of pure flamenco. He is also experienced in other musical genres like pop, rock, salsa, jazz, and reggae, with extensive experience as an accompanist. He has had the honor of collaborating with the following musicians, singers, and dancers:
Flamenco Guitarists: Eduardo Rebollar, Gerardo Núñez, Juan Antonio De Jerez, Juan Ramón “El Caro,” Chicuelo, José Toral, José Luis Montón, Vicente Cortés, José Luis Domínguez, Juan Bautista, Michel Gillain, Antonio Segura, Jan De Preter, José Cortés, Mario Cortés, Enrique de Melchor, Wannes Van de Velde, Rafael Sanchez, Patricio Grande, and others.
Singers: Chano Lobato, Miguel Poveda, Rafael de Utrera, Roto, Antonio Paz, Amparo Cortés, Inma González, José Cortés and Alberto García, Asunción de Córdoba, Jose Ligero, Lidia Rodriguez, Cecile Evrot, and more.
Dancers: Carmen Cortés, Javier Latorre, Isabel Pelea, Kuky, Antonio Martínez, Sofía Yero, Torre de Montijo, Ana Ramón, Julián Martín, Javier Romero, Eva Mendéz, Silvia Cabeza, Manuel Gutierrez, Mara Martínez, Marisol Velderama, Susana Vazquez, Nina Perez, among others.
Completed Projects: Sumari Project (José Toral), La Traviata, Dranouter Festival (Amparo Cortés), Sfinx Festival (Javier Latorre), Polé Polé (flamenco puro), Juana la loca (Eva Moreno), Tablao Flamenco Al-Andalus Alicante (Spain), Tablao Flamenco ‘El Cordobés’ (Spain), tour with Amparo Cortés in Norway and Prague, recording CDs in 2004 with Enrique de Melchor, Serge Dacosse Band, recording CDs in Germany with José Toral, Amparo Cortés, Serge Dacosse, Glasford Band, Académie Internationale d´Eté de Wallonie – Neufchâteau (Seasons 2003/04/05/06), Jeunesses Musicales (Season 2005/06), Soniquete (Jazz-Flamenco), La niña de las coles (Córdoba, Spain), opening act for Tomatito (Deurne 2005), Homage to Wannes Van de Velde (2009), opening act for Niña Pastori (Brussels 2012), Dani Klein (Vaya con Dios), Maurane, Iva Bittová, Marianne Aya Omac (Brussels, November 2012), Flamenco de Flandes (2015), Orquesta Flamenca ARTE2, Flamenco “Proyecto Inspiración,” and more.